Directed by Pablo Larraín

How do we attach our sympathies? Do we simply assert them onto those less fortunate than ourselves? How much do we need to understand about someone to deem them deserving of sympathy? Pablo Larraín has to be one of the gutsiest filmmakers working today, as The Club – his follow-up from the incredible and political film, No – proves with a quiet, but viciously acidic story of Catholic hypocrisies and sins. This is one of those films in which discussing the narrative would be a massive disservice to anyone who hasn’t seen it. One of it’s major strengths is how it plays the audience – or at least it played me like a fiddle – by withholding and giving information at very select moments, which made me constantly see each of the characters in different lights, going from sympathising with them, to hating, back to sympathising… on and on. This is a powerful film which explores the darkness lurking inside.


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