STAR WARS EPISODE VII: THE FORCE AWAKENS

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Directed by J.J. Abrams

Star Wars, the cinematic behemoth. The meaning of pop culture. The religion of the new age. I decided to base my judgement of The Force Awakens on whether or not it was better than the prequel trilogy that preceded it. Thank my lucky Millennium Falcon, it was. When you have the childhoods of millions of people in the palm of your hand, it’s in your best interest not to Jar-Jar Binks it, and J.J. Abrams would’ve known that from the beginning. A sort of New Hope for millennials, Episode VII has the winning formula in spades, with solid action sequences and a surprising amount of humour that felt both traditional and fresh at the same time. Whilst I thought the dialogue was at times a bit hammy and clunky, I instantly thought of the five year olds who would be running around, reenacting these scenes – brought back down to Earth, I remembered that these films are meant to be for everybody, and for everybody they are.

It doesn’t quite reinvent the wheel, instead feeling more like an homage to the past and a set-up for the future, Episode VII does do precisely what it probably wanted to do in the first place: make every single person in the audience feel like a kid again, watching Star Wars for the first time. Oh, and make over $1.5 billion in the box office.

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