HELL OR HIGH WATER

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Directed by David Mackenzie

Set in the endlessly cinematic backdrop of West Texas, Hell or High Water is classic, bareknuckle filmmaking helmed by director David Mackenzie (Starred Up) and writer Taylor Sheridan (Sicario). It almost seems like the Western genre would find a difficult fit in contemporary times, but the economically-stunted locations (the film was shot in New Mexico) serve as fitting scenery for two brothers forced to push back against the banks that are bleeding both their family and their community dry. Ben Foster – arguably one of the best character actors working today – continues to chew the scenery like nothing else, as the loose-cannon brother who lives for the thrill. If that sounds like an archetype, it definitely is, but the film doesn’t seem to care to shy away from it. You also have the soulful, pragmatic brother played by Chris Pine, and the rugged deputy ranger on his last case before retirement, played by Jeff Bridges. Lo and behold, things turn out probably how you expect them to. But Hell or High Water sticks to its guns, and by taking time to shine a light on the forgotten citizens and communities of West Texas, the film transcends cliche to provide a far more authentic experience. The cops-and-robbers genre still has juice left in it.

B+

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