Directed by Noah Baumbach
With two films released in the same year, Noah Baumbach could be the most productive director working at the moment. Following While We’re Young, Mistress America slots itself effortlessly into Baumbach’s previous explorations of growth and maturation, self-inflicted anxieties and disappointments – continuing his interest in the ongoing “coming-of-age-that-never-ends” that we all experience. Once again, Greta Gerwig injects a shot of puppy-dog adrenaline into her performance, at any time instilling responses of joy, loathing and sympathy. Noted as a screwball comedy by many reviewers – a genre that was at it’s height during the 1930’s and 40’s – Mistress America does feel like a throwback to the storytelling of early Hollywood, with farcical situations and rapid-fire dialogue that people should be able to enjoy once they let go of the idea that Mistress America is trying to present reality. It becomes clear that Mistress America is but an acknowledgement of cinema, a representation of reality that audiences can let go and lose themselves in the story and the characters, before the river runs dry and we finally do have to grow up.